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in Navajo rug weaves, the otherwise perfect geometrics always have one stitch error running off to the edge of the rug; while the reason for this can vary, my favorite explanation involves a channel for where energies can enter or leave the work

in traditional forms of asian earth pottery, variance in temperature and the accumulation of ash, as a result of low temperatures and naturally made kilns, became a large portion of the aesthetic, the unknown variance, the imperfect and unknown

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